The phrase Attack Decay Sustain Release (ADSR) is used in sound production to denote the four phases of a sound envelope, in terms of its volume and strength over time.
Over the course of this ten week residency programme, Turner Prize 2025 winner Nnena Kalu with Rebecca Kressley (Super Trouper), and Stanley Picker Fellows Sophie Huckfield and Abbas Zahedi, will each occupy the Stanley Picker Gallery’s various spaces, to explore how sound is employed within, and influences upon, their individual artistic practices; whether as a primary medium in itself, as a by-product of creative production, or as a soundtrack to the act of making.