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Dive into the research topics where Celena Monteiro is active. These topic labels come from the works of this person. Together they form a unique fingerprint.
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Book Review of: 'Contemporary African dance theatre : phenomenology, whiteness, and the gaze' by Sabine Sörgel
Monteiro, C., 28 Jul 2021, (E-pub ahead of print) In: Theatre Research International. 46, 2, p. 254-255Research output: Contribution to journal › Article › peer-review
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The International Dancehall Queen Competition: a discursive space for competing images of femininity
Monteiro, C., 2019, The Oxford handbook of dance and competition. Dodds, S. (ed.). New York, U.S.: Oxford University Press, p. 233-252Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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"I've danced my whole life, but none of that is useful at all": Netflix's We Speak Dance (2018), vulnerability and collaborative critiques
Järvinen, H. (Contributor), Rosa, C. F. (Contributor), Monteiro, C. (Contributor), Rastovac-Akbarzadeh, H. (Contributor), De la Cruz, M. (Contributor), Borelli, M. B., Benthaus, E. (Contributor), Brazzale, C. (Contributor) & Mitra, R. (Contributor), 2018, In: Conversations Across the Field of Dance Studies. 38, p. 54-60Research output: Contribution to journal › Article › peer-review
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Currencies of (im)mediacy in the transnational dancehall experience: a case study
Monteiro, C., 15 Oct 2016.Research output: Contribution to conference › Paper › peer-review
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Mobile hips, mobile identities: dancehall queen performance as resistance
Monteiro, C., 27 Nov 2015.Research output: Contribution to conference › Paper › peer-review