Abstract
This chapter draws on Sara Ahmed‘s work in The Cultural Politics of Emotion (2004) and Willful Subjects (2014), to think about some of the more challenging and belligerent aspects of the black British playwright debbie tucker green‘s woman-centered dramaturgy including its use of strong, often negative, emotions, and its refusal of dramaturgical norms.
| Original language | English |
|---|---|
| Title of host publication | debbie tucker green |
| Subtitle of host publication | Critical Perspectives |
| Editors | Siân Adiseshiah, Jacqueline Bolton |
| Place of Publication | Cham, Switzerland |
| Publisher | Palgrave Macmillan |
| Pages | 45-66 |
| ISBN (Print) | 978-3-030-34580-8 |
| DOIs | |
| Publication status | Published - 2020 |
Keywords
- Drama, dance and performing arts