A comparison of the musical and scientific thinking of Xenakis with that of ancient China: the architecture of scales and the notion of Lu

Kevin Jones, Kathleen Wong

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

Abstract

The way that Xenakis‘s music and thinking references both ancient Greek and contemporary understanding of the nature of the cosmos is compared to parallel relationships in ancient Chinese thought. This helps to build a bridge between cultures - historically and geographically - illuminating concepts and values on both sides, as well as offering insights into the intelligent listening and appreciation of both Xenakis‘s compositions and the traditional music of China.
Original languageEnglish
Title of host publicationPublished in Solomos, Makism, Georgaki, Anastasia and Zervos, Giorgos (eds.) Definitive proceedings of the International Symposium Iannis Xenakis, 2006.
EditorsAnastasia Georgaki, M. Solomos
Place of PublicationAthens, Greece
PublisherNational and Kapodistrian University of Athens
ISBN (Print)9602144440
Publication statusPublished - 18 May 2005
Externally publishedYes

Bibliographical note

Note: Published in Solomos, Makism, Georgaki, Anastasia and Zervos, Giorgos (eds.) Definitive proceedings of the International Symposium Iannis Xenakis, 2006.

Keywords

  • Music

Fingerprint

Dive into the research topics of 'A comparison of the musical and scientific thinking of Xenakis with that of ancient China: the architecture of scales and the notion of Lu'. Together they form a unique fingerprint.

Cite this