Blast Theory

Maria Chatzichristodoulou

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    Abstract

    Whether seen as a theatre or performance group, an art ensemble that uses different methodological approaches including live performance, or a new media art company that creates works informed by cutting-edge technology, from the very outset Blast Theory has actively questioned, challenged and transgressed disciplinary boundaries, merging theatre, performance, interactive arts and gaming. Through its artistic practice, the company innovates by developing new models for active audience participation: using emergent technologies and interactive media in ways that have shaped the contemporary British and international cultural landscapes; exploring formats that merge practices and approaches; situating its work in unconventional or unexpected contexts; confronting audiences with tough questions and challenging demands; and, above all, being prepared to take risks. Though refusing to be defined as a theatre company, Blast Theory has certainly helped shape the contemporary theatre landscape in Britain and internationally by inspiring companies to experiment with participative practices, locative media, mobile interfaces, pervasive gaming and the creation of complex and layered immersive experiences.
    Original languageEnglish
    Title of host publicationBritish Theatre Companies
    Subtitle of host publication1995-2014 : Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Caf├®, Blast Theory, Punchdrunk
    EditorsLiz Tomlin
    Place of PublicationLondon, U.K.
    PublisherBloomsbury Methuen Drama
    Pages231-254
    ISBN (Print)9781408177280
    Publication statusPublished - 2015

    Publication series

    NameBritish Theatre Companies : From Fringe to Mainstream
    PublisherBloomsbury Methuen Drama

    Keywords

    • Drama, dance and performing arts

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