Abstract
This essay considers the TV miniseries Chernobyl (HBO, 2019) to
engage in a wider debate on the social and institutional production of technoscience. It explores whether the series resonates with the existing narratives and interpretations of Soviet technoscience in scholarly historiography. The author argues that although the series downplays important aspects of Soviet history, such as international knowledge transfer, it successfully demonstrates the hybrid character of nuclear power and the complexity of the relationship between scientific expertise and policy decision-making.
| Original language | English |
|---|---|
| Pages (from-to) | 1178-1187 |
| Journal | Technology and Culture |
| Volume | 61 |
| Issue number | 4 |
| Early online date | 7 Jan 2021 |
| DOIs | |
| Publication status | Published - 7 Jan 2021 |
Keywords
- History