Abstract
In a music-aesthetic approach to Gothic based on Hans Gumbrecht‘s notion of atmosphere and Jean-François Lyotard‘s negotiation of the timbral sublime, my paper argues that timbre‘s veiled vibrations are at the heart of Gothic darkness. Because the musicological and philosophical understanding of timbre remains largely mysterious, it does not just represent darkness: it also affords the shadows through which Gothic is defined and in which it hides.
| Original language | English |
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| Publication status | Accepted/In press - 6 Feb 2017 |
| Event | IGA Mexico 2017 : Gothic Traditions and Departures : 13th Biennial Conference of the International Gothic Association - Cholula, Mexico Duration: 18 Jul 2017 → 21 Jul 2017 |
Conference
| Conference | IGA Mexico 2017 : Gothic Traditions and Departures : 13th Biennial Conference of the International Gothic Association |
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| Period | 18/07/17 → 21/07/17 |
Bibliographical note
Organising Body: International Gothic AssociationKeywords
- Communication, cultural and media studies