Dark sound: being and timbre in Gothic

  • Isabella van Elferen

    Research output: Contribution to conferenceLecture / Speechpeer-review

    Abstract

    In a music-aesthetic approach to Gothic based on Hans Gumbrecht‘s notion of atmosphere and Jean-François Lyotard‘s negotiation of the timbral sublime, my paper argues that timbre‘s veiled vibrations are at the heart of Gothic darkness. Because the musicological and philosophical understanding of timbre remains largely mysterious, it does not just represent darkness: it also affords the shadows through which Gothic is defined and in which it hides.
    Original languageEnglish
    Publication statusAccepted/In press - 6 Feb 2017
    EventIGA Mexico 2017 : Gothic Traditions and Departures : 13th Biennial Conference of the International Gothic Association - Cholula, Mexico
    Duration: 18 Jul 201721 Jul 2017

    Conference

    ConferenceIGA Mexico 2017 : Gothic Traditions and Departures : 13th Biennial Conference of the International Gothic Association
    Period18/07/1721/07/17

    Bibliographical note

    Organising Body: International Gothic Association

    Keywords

    • Communication, cultural and media studies

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