Defiguration of space

Defined space — be it in the realm of installation art, film/tv/stage/photography sets, architecture or urban/non-urban space — has a particular location in cultural physiognomy, played out in the question of the extent to which it provides a setting and —spielraum— for other activities (choreography, performance, the —Alltägliche—) and thus remains unthematised; and the extent to which via an intensified gaze these physiognoms become a theme - for media, cartography or a theoretical discourse. It has been argued (cf the work of H-G Gadamer) that an effective discussion of these phenomena can only occur outside the western metaphysical concept of aesthetics and outside the associated problematic of —meaning— — especially meaning considered in literary mode. This implies, simultaneously, a rethinking of meaning in terms of something akin to process, a concept which in turn would be deconstructed alongside that of figure/representation. This paper will investigate such an affirmative deconstruction of space.