Abstract
This paper is part of the base-camp-preparation for a research project in which I seek better understanding of the role of design history in negotiating the relationship between graphic design as heritage and graphic design as contemporary professional practice.
It leans on perspectives and dispositions derived from decolonial aesthesis and intersectional feminism being used to question and disrupt representational biases and imbalances in cultural herit-age preservation generally, and explores how such theories and tactics might also support critical intervention in the graphic design archive, specifically.
It leans on perspectives and dispositions derived from decolonial aesthesis and intersectional feminism being used to question and disrupt representational biases and imbalances in cultural herit-age preservation generally, and explores how such theories and tactics might also support critical intervention in the graphic design archive, specifically.
| Original language | English |
|---|---|
| Pages (from-to) | 147-156 |
| Number of pages | 10 |
| Journal | AIS/DESIGN |
| Volume | 9 |
| Issue number | 17 |
| Early online date | 30 Dec 2022 |
| Publication status | Published - Dec 2022 |
| Externally published | Yes |
Keywords
- graphic design
- graphic design archives
- intersectional feminism
- heritage preservation
- archive network
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