Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922)

Helen Julia Minors

Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922)

Helen Julia Minors

Research output: Contribution to conference › Lecture / Speech › peer-review

Abstract

Due to the visual emphasis of the work, presented as a large musical score (with images attached to each piece) able to be rested on the piano stand, for performance at the piano, there is an invitation to enquire how a performer, spectator or researcher may interact with the work. This seminar offers a fresh analysis of the multi-art processes at play between Satie's music and text (printed in facsimile) and Charles Martin's images in this collage album. In what way can one, and might one, mediate the interart experience of Sports et divertissements?

Original language	English
Publication status	Published - 27 Feb 2013
Externally published	Yes
Event	Music Research Seminar Series - Liverpool, U.K. Duration: 27 Feb 2013 → 27 Feb 2013

Seminar

Seminar	Music Research Seminar Series
Period	27/02/13 → 27/02/13

Bibliographical note

Organising Body: Music, Liverpool Hope University

Keywords

Music

Cite this

@conference{3a5095e77c184bdab37af1d3ccd8594e,

title = "Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922)",

abstract = "Due to the visual emphasis of the work, presented as a large musical score (with images attached to each piece) able to be rested on the piano stand, for performance at the piano, there is an invitation to enquire how a performer, spectator or researcher may interact with the work. This seminar offers a fresh analysis of the multi-art processes at play between Satie's music and text (printed in facsimile) and Charles Martin's images in this collage album. In what way can one, and might one, mediate the interart experience of Sports et divertissements?",

keywords = "Music",

author = "Minors, \{Helen Julia\}",

note = "Organising Body: Music, Liverpool Hope University; Music Research Seminar Series ; Conference date: 27-02-2013 Through 27-02-2013",

year = "2013",

month = feb,

day = "27",

language = "English",

}

TY - CONF

T1 - Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922)

AU - Minors, Helen Julia

N1 - Organising Body: Music, Liverpool Hope University

PY - 2013/2/27

Y1 - 2013/2/27

N2 - Due to the visual emphasis of the work, presented as a large musical score (with images attached to each piece) able to be rested on the piano stand, for performance at the piano, there is an invitation to enquire how a performer, spectator or researcher may interact with the work. This seminar offers a fresh analysis of the multi-art processes at play between Satie's music and text (printed in facsimile) and Charles Martin's images in this collage album. In what way can one, and might one, mediate the interart experience of Sports et divertissements?

AB - Due to the visual emphasis of the work, presented as a large musical score (with images attached to each piece) able to be rested on the piano stand, for performance at the piano, there is an invitation to enquire how a performer, spectator or researcher may interact with the work. This seminar offers a fresh analysis of the multi-art processes at play between Satie's music and text (printed in facsimile) and Charles Martin's images in this collage album. In what way can one, and might one, mediate the interart experience of Sports et divertissements?

KW - Music

M3 - Lecture / Speech

T2 - Music Research Seminar Series

Y2 - 27 February 2013 through 27 February 2013

ER -

Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922)

Abstract

Seminar

Bibliographical note

Keywords

Fingerprint

Cite this