Abstract
‟Home” describes an intangible concept. It is the
emotional and meaningful relationship between people
and their familiar environment. In living conditions
of individuation, temporariness and mobility, personal
possessions gain utmost importance in the establishment
of a sense of ‟home”. They become material
icons of durability and continuity in everyday life
which carry references to people, places, the past
and, most importantly, to oneself - one's identity and
history. Home No. 7 (a sample of) is a practice-led
study of this hypothesis. The project attempts to
record and maintain a sample of a domestic interior -
once regarded as ‟home” - created in the North
Room on 262 Bethnal Green Road at the time it was
about to be dismantled. The sample of 'home' is contained
within a box. The interior of the box is divided
into compartments, each of which holds a different
means of registration: casts, cards, photos, samples,
drawings and texts. The quasi-scientific way of registration
aims at a clear presentation of the information
recorded and an objective point of view. Yet, these
means of objective recording inadvertently reveal
personal systems of reference created by the inhabitant.
The text that accompanies and reflects on the project discusses the relationship between an individual and
his/her personal possessions drawing from the fields of
anthropology, philosophy, history, critical theory and studies
of material culture. Project and text attempt to understand
the material ‟at home” constructed by one's personal possessions
and the immaterial ‟at home” created by their relationship
to their owner.
| Original language | English |
|---|---|
| Pages (from-to) | 1-16 |
| Journal | Interiors : Design/Architecture/Culture |
| Volume | 11 |
| Issue number | 1 |
| Early online date | 19 Nov 2020 |
| DOIs | |
| Publication status | Published - 2021 |
Keywords
- personal possessions
- home
- domestic interior
- box in art
- interiority
- modern material culture
- Anthropology