Interesting art

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    Abstract

    This article considers the logical form of judgements of contemporary art setting out from Donald Judd's famous 1965 remark that a work of art 'needs only to be interesting'. It traces the form of the judgement of the interesting back to Friedrich Schlegel's early, proto-Romantic text 'On the Study of Greek Poetry' (1797), and forward to the present, via a critique of Sianne Ngai's recovery of the concept from the standpoint of a 'postmodern aesthetic'. It is through 'the interesting' - and its constitutive under-determination - it is argued, that politics enters art judgement.
    Original languageEnglish
    Pages (from-to)156-168
    JournalNew Left Review
    Issue number150
    Publication statusPublished - 31 Dec 2024

    Keywords

    • Art and design

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