Abstract
Exhibition of three photographic images and two live Performances
First Part: Experiment - Transcendence
Second Part: inept desires before 90 days
The actions are in connection to a previous video 2015, Performance for the Camera entitled: 'ad nihilum non demonstrandum', when Glausnitzer-Smith's live work will explore the kind of self-image which is deceptive in the viewer's observation of what appears to be seen with as a sign of recognition. The situation yet moves with the individual imaginary and absurd, and does not concur with what is known to be 'real'.
| Original language | English |
|---|---|
| Publication status | Published - 2016 |
| Event | Parabiosis - Changjiang Museum of Contemporary Art, Chongqing, China Duration: 22 Jan 2016 → 7 Mar 2016 |
Bibliographical note
Number of Pieces: 5Impact: Participation with 6 other artists and performance artists from western cultural backgrounds amongst 65 regional Chinese and Asian artists created a diverse experience of intervention. Debate, Text, Practise and layers of communication culminated in a presentation of an international pivotal amalgamation in this event with exhibited works and live performances.
Keywords
- Art and design