| Original language | English |
|---|---|
| Journal | Intermedialites : History and Theory of the Arts |
| Volume | 30-31 |
| Early online date | 10 Jul 2018 |
| DOIs | |
| Publication status | Published - 2018 |
Bibliographical note
Impact: This article brings together research, also presented and explored in two separate conference papers. The first was given as part of the panel 'British Cinema and Intermediality II' at the conference, Il Intermedia: The Moving Form of Film: Exploring Intermediality as a Historiographic Method (University of Reading, 6-8 November 2017). The second was in the panel 'Between the Analogue and the Digital' at Urban Encounters 2017: Cartographies (Tate Britain, 11 November 2017 - co-organised by Kingston University).Founded in 2003, Intermédialités is a bilingual peer-reviewed journal published in French and English by Revue intermédialités (Presses de l'Université de Montréal). Each issue groups articles around verbs that act as pivotal themes. A multidisciplinary journal, it explores the relations that govern techniques and institutions, intellectual products and addresses issues beyond the study of contemporary media, covering a wide range of disciplines including literary, film and media studies, art history, anthropology, sociology, and philosophy. All articles are subject to an anonymous evaluation by two external readers before the editorial committee accepts papers for publication.
Keywords
- Art and design