Reclaiming horror: understanding the paradigm shift of female representation in horror films

Reclaiming Horror examines the seismic transformation ignited by the surge of women filmmakers in the horror genre in the 2000s and 2010s, wielding their distinct perspectives as a catalyst for profound change in the genre. Focused on the representation of women and female-directed films, the thesis ventures to decode the genre’s present state and in doing so, uncovers a language that challenges and proposes to reshape its very essence. The thesis’s hypothesis is thus: as more women filmmakers join the film industry making horror, their unique creative contributions reshape not only how women are portrayed but also redefine the fundamental language horror employs. These paradigm shifts, initiated by women, permeate the genre’s core, transcending gender boundaries to influence filmmakers of all identities. The study examines thematic archetypes inherently linked to the female experience, illustrating how female directors are reclaiming and redefining the genre’s foundations. Through this exploration, long-established horror theories and canons are dismantled, prompting the emergence of novel interpretations concerning the genre’s historical journey and its trajectory. Reclaiming Horror not only illuminates the past and present but also propels the genre towards a transformative future. It sees filmmakers of all backgrounds embracing the changes initiated by women, leading to more inclusive and authentic representations in horror, ultimately contributing to a richer and more dynamic cinematic landscape.