Solitaire

Tim Ewers

Solitaire

Tim Ewers (Composer)

Research output: Practice-based/Artistic research › Composition/Sound art

Abstract

This piece was written for Francesca Hanley and is dedicated to her. At her request, it explores a variety of unorthodox techniques: alternating normal and harmonic fingerings; flutter tonguing; singing at the same time as playing; pitch bending; wide vibrato. Despite the novelty of the soundworld, the piece is not a catalogue of effects, restricting particular techniques to different parts of the music and continuing my interest in melodic, linear writing.

Original language	English
Publication status	Published - 2000

Bibliographical note

Composition Type: solo flute

Duration: 4 min.

Image/sound Type: music

Instrument: Flute

Keywords

Music

Cite this

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title = "Solitaire",

abstract = "This piece was written for Francesca Hanley and is dedicated to her. At her request, it explores a variety of unorthodox techniques: alternating normal and harmonic fingerings; flutter tonguing; singing at the same time as playing; pitch bending; wide vibrato. Despite the novelty of the soundworld, the piece is not a catalogue of effects, restricting particular techniques to different parts of the music and continuing my interest in melodic, linear writing.",

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year = "2000",

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T1 - Solitaire

A2 - Ewers, Tim

N1 - Composition Type: solo flute Duration: 4 min. Image/sound Type: music Instrument: Flute

PY - 2000

Y1 - 2000

N2 - This piece was written for Francesca Hanley and is dedicated to her. At her request, it explores a variety of unorthodox techniques: alternating normal and harmonic fingerings; flutter tonguing; singing at the same time as playing; pitch bending; wide vibrato. Despite the novelty of the soundworld, the piece is not a catalogue of effects, restricting particular techniques to different parts of the music and continuing my interest in melodic, linear writing.

AB - This piece was written for Francesca Hanley and is dedicated to her. At her request, it explores a variety of unorthodox techniques: alternating normal and harmonic fingerings; flutter tonguing; singing at the same time as playing; pitch bending; wide vibrato. Despite the novelty of the soundworld, the piece is not a catalogue of effects, restricting particular techniques to different parts of the music and continuing my interest in melodic, linear writing.

KW - Music

M3 - Composition/Sound art

ER -

Solitaire

Abstract

Bibliographical note

Keywords

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Cite this