The exhibition-form and the space-time of the artwork: a retroactive ontology. A conversation with Peter Osborne

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. This volume gathers and expands upon the results of the research project ‟Theater, Garden, Bestiary: A Materialist History of Exhibitions,” held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.
    Original languageEnglish
    Title of host publicationTheater, garden, bestiary
    Subtitle of host publicationa materialist history of exhibitions
    EditorsTristan Garcia, Vincent Normand
    Place of PublicationBerlin, Germany
    PublisherSternberg Press and ECAL/University of Art and Design Lausanne
    Pages269-277
    ISBN (Print)9783956794551
    Publication statusPublished - Aug 2019

    Keywords

    • Art and design

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