Virtual worlds from recording to video games

Isabella van Elferen

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    Music plays a significant role in both the establishment of and immersion in virtual worlds. This chapter theorises various forms of musical virtual reality, arguing that the virtual worlds of music challenge existing understandings of virtual reality and immersion. Analysing recording technology, mobile music, video games and the phenomenology of listening, the chapter argues that musical virtual reality can be theorised as an omnipresent, perpetually moving and embodied circulation of musical energy. Musical virtual reality invites a 'drastic‘ musicology that engages with the immediate, immersive and affectively powerful aspects of the listening event.
    Original languageEnglish
    Title of host publicationThe Cambridge Companion to Music in Digital Culture
    EditorsNicholas Cook, David Trippett, Monique M. Ingalls
    Place of PublicationCambridge, UK
    PublisherCambridge University Press
    Pages209-226
    ISBN (Print)9781316676639
    DOIs
    Publication statusPublished - 2017

    Keywords

    • Music

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