Abstract
Wide and disjointed, blending a fractured pulse with dynamic texture, this
is an immersive and disorientating music; sometimes subtle, often
invasive, always close. This live-audio duo foregrounds liveness and real-
time decision making, there is no score, each performance features a
combination of structured parts with improvised sections. Whilst human
effort is celebrated and is clearly discernable, this project aims to extend
notions of virtuosity beyond those that emerged during the 19th and 20th
centuries. We do not seek to portray 'effortless' technique, but believe
that the 'on-stage' relationship between human performers and computer
technologies need not be hierarchical. Utilising a hybrid guitar (extended
with motion-sensitive electronics) alongside an advanced table-top
computer instrument, this collaboration focuses on filtering and
constraining computational automation as often as contributing directly
legible actions. By negotiating tactile physical controllers we amplify the
exertion of physical gesture, but via the creative possibility of
computational inertia, the virtuosity of the interface is perceived (almost)
as a third performer. We do not seek to dominate and control our
technologies, but to provoke a series of engaging struggles in a lively and
cohesive form, thus articulating the question: are we performing the
technology or is it performing us?
| Original language | English |
|---|---|
| Publication status | Published - 1 Aug 2011 |
| Externally published | Yes |
Keywords
- Music